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Difference between revisions of "Olive Fremstad and Adoption"

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{{#eimage: http://upload.wikimedia.org/wikipedia/commons/8/85/Fremstad_Salome_1907.jpg |410x579px|thumb|'''Olive Fremstad holding the head of John the Baptist in the Metropolitan Opera's 1907 production of Salome (1905) by Richard Strauss.'''<br />Source: Wikipedia.org.}}
 
==Biography==
 
==Biography==
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Fremstad was born Anna Olivia Rundquist to an unmarried mother in Stockholm. She was adopted there by an American family of Swedish heritage and emigrated with them to the USA when she was 10.
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'''''1871-1951'''''
  
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She does not seem to have begun to study music until after the family moved to Minneapolis. She was excellent at the piano, but turned to singing in her teens. She studied in New York and Berlin, and made her professional operatic début in Cologne in 1895 as Azucena in Il Trovatore. She also studied in Italy. Her début at the New York Metropolitan Opera was in 1903 as Siegelinde in Die Walküre. She specialized in Wagnerian roles.  
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Fremstad was born Anna Olivia Rundquist to an unmarried mother in Stockholm. She was [[adopted]] there by an American family of Swedish heritage and emigrated with them to the USA when she was 10.
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She does not seem to have begun to study music until after the family moved to Minneapolis. She was excellent at the piano, but turned to singing in her teens. She studied in [[New York]] and Berlin, and made her professional operatic début in Cologne in 1895 as Azucena in Il Trovatore. She also studied in [[Italy]]. Her début at the [[New York]] Metropolitan Opera was in 1903 as Siegelinde in Die Walküre. She specialized in Wagnerian roles.  
  
 
She was very popular, but her limited repertoire, high fees, and prima-donna behavior made her less popular with opera house managers, and she finished at the Met in 1914; her last public performance was in 1920.  
 
She was very popular, but her limited repertoire, high fees, and prima-donna behavior made her less popular with opera house managers, and she finished at the Met in 1914; her last public performance was in 1920.  
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==References==
 
==References==
  
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"Olive Fremstad, Swedish-American Soprano (Mezzo-Soprano), 1871 (1868?)-1951." [Includes portraits]. Available at: [http://www.cantabile-subito.de/Sopranos/Fremstad__Olive/fremstad__olive.htm]
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"Olive Fremstad, Swedish-American Soprano (Mezzo-Soprano), 1871 (1868?)-1951." [Includes portraits]. Available at: www.cantabile-subito.de/Sopranos/Fremstad__Olive/fremstad__olive.htm
 
Oxford Dictionary of Music, 1994
 
Oxford Dictionary of Music, 1994
 
Penguin Biographical Dictionary of Women, 1998
 
Penguin Biographical Dictionary of Women, 1998
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American Library Association Gay, Lesbian, Bisexual and Transgendered Round Table. "Famous or Distinguished Gays, Lesbians, Bisexuals: A List of Names." Available at: [http://calvin.usc.edu/~trimmer/famous_names.html]
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American Library Association Gay, Lesbian, Bisexual and Transgendered Round Table. "Famous or Distinguished Gays, Lesbians, Bisexuals: A List of Names." Available at: calvin.usc.edu/~trimmer/famous_names.html
 
Fremstad was also the basis for the heroine of Willa Cather's novel The Song of the Lark.
 
Fremstad was also the basis for the heroine of Willa Cather's novel The Song of the Lark.
  

Latest revision as of 20:14, 3 March 2018

Olive Fremstad holding the head of John the Baptist in the Metropolitan Opera's 1907 production of Salome (1905) by Richard Strauss.
Source: Wikipedia.org.

Biography

1871-1951

Fremstad was born Anna Olivia Rundquist to an unmarried mother in Stockholm. She was adopted there by an American family of Swedish heritage and emigrated with them to the USA when she was 10.

She does not seem to have begun to study music until after the family moved to Minneapolis. She was excellent at the piano, but turned to singing in her teens. She studied in New York and Berlin, and made her professional operatic début in Cologne in 1895 as Azucena in Il Trovatore. She also studied in Italy. Her début at the New York Metropolitan Opera was in 1903 as Siegelinde in Die Walküre. She specialized in Wagnerian roles.

She was very popular, but her limited repertoire, high fees, and prima-donna behavior made her less popular with opera house managers, and she finished at the Met in 1914; her last public performance was in 1920.

Her personal life off-stage was gloomy and self-centered. She married twice, but each soon ended, and she is believed (possibly only on the basis of her close friendships with several prominent lesbians) to have been either lesbian or bisexual.

References

"Olive Fremstad, Swedish-American Soprano (Mezzo-Soprano), 1871 (1868?)-1951." [Includes portraits]. Available at: www.cantabile-subito.de/Sopranos/Fremstad__Olive/fremstad__olive.htm Oxford Dictionary of Music, 1994 Penguin Biographical Dictionary of Women, 1998 American Library Association Gay, Lesbian, Bisexual and Transgendered Round Table. "Famous or Distinguished Gays, Lesbians, Bisexuals: A List of Names." Available at: calvin.usc.edu/~trimmer/famous_names.html Fremstad was also the basis for the heroine of Willa Cather's novel The Song of the Lark.