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Difference between revisions of "Carl-Theodor Dreyer and Adoption"
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| − | Dreyer was born in Copenhagen and went immediately into foster care, but he was adopted in 1891. | + | {{#eimage: http://upload.wikimedia.org/wikipedia/commons/7/7e/Carl_Theodor_Dreyer_%281965%29_by_Erling_Mandelmann.jpg |410x579px|thumb|'''Carl Theodor Dreyer (1965) by Erling Mandelmann'''<br />Source: Wikipedia.org.}} |
| + | ==Biography== | ||
| + | Dreyer was born in Copenhagen and went immediately into foster care, but he was [[adopted]] in 1891. | ||
He first became a journalist but by 1913 he was a caption writer for silent films. His first film as a director was Praesidenten (1919), followed by (among others) Blade af Satans Bog (1921), La Passion de Jeanne d'Arc (1928), Vampyr (1932), the documentary Vredens Dag (1942), Ordet (1955) and finally Gertrud (1964). | He first became a journalist but by 1913 he was a caption writer for silent films. His first film as a director was Praesidenten (1919), followed by (among others) Blade af Satans Bog (1921), La Passion de Jeanne d'Arc (1928), Vampyr (1932), the documentary Vredens Dag (1942), Ordet (1955) and finally Gertrud (1964). | ||
| − | From 1921 to 1924 he lived and worked in Germany. Vredens Dag, with its obvious anti-Nazi sentiments, forced him into exile in neutral Sweden for the rest of World War II. Between Vampyr and Vredens Dag he returned to journalism and after the war he also worked for a time as a film theater manager for the Danish government in Copenhagen. | + | From 1921 to 1924 he lived and worked in [[Germany]]. Vredens Dag, with its obvious anti-Nazi sentiments, forced him into exile in neutral [[Sweden]] for the rest of World War II. Between Vampyr and Vredens Dag he returned to journalism and after the war he also worked for a time as a film theater manager for the Danish government in Copenhagen. |
== References == | == References == | ||
| − | Microsoft Encarta 98 Encyclopedia, 1993-97 | + | Microsoft Encarta 98 [[Encyclopedia]], 1993-97 |
Carl Th. Dreyer: Danish film director, 1889-1968, edited by Søren Dyssegaard; English text by Reginald Spink. (Copenhagen: Ministry of Foreign Affairs, [1969]) | Carl Th. Dreyer: Danish film director, 1889-1968, edited by Søren Dyssegaard; English text by Reginald Spink. (Copenhagen: Ministry of Foreign Affairs, [1969]) | ||
Nash, Mark. Dreyer. (London : British Film Institute, 1977) | Nash, Mark. Dreyer. (London : British Film Institute, 1977) | ||
| − | International Dictionary of Films and Filmmakers, vol. 2: Directors, edited by Laurie Collier Hillstrom. 3rd edition. (Detroit: St. James Press, 1997) | + | [[International]] Dictionary of Films and Filmmakers, vol. 2: Directors, edited by Laurie Collier Hillstrom. 3rd edition. (Detroit: St. James Press, 1997) |
| − | |||
| + | [[Category: Adoption Celebrities]] | ||
[[Category: Adopted Persons]] | [[Category: Adopted Persons]] | ||
| + | [[Category: 19th Century]] | ||
Revision as of 03:42, 4 June 2014
Source: Wikipedia.org.
Biography
Dreyer was born in Copenhagen and went immediately into foster care, but he was adopted in 1891.
He first became a journalist but by 1913 he was a caption writer for silent films. His first film as a director was Praesidenten (1919), followed by (among others) Blade af Satans Bog (1921), La Passion de Jeanne d'Arc (1928), Vampyr (1932), the documentary Vredens Dag (1942), Ordet (1955) and finally Gertrud (1964).
From 1921 to 1924 he lived and worked in Germany. Vredens Dag, with its obvious anti-Nazi sentiments, forced him into exile in neutral Sweden for the rest of World War II. Between Vampyr and Vredens Dag he returned to journalism and after the war he also worked for a time as a film theater manager for the Danish government in Copenhagen.
References
Microsoft Encarta 98 Encyclopedia, 1993-97 Carl Th. Dreyer: Danish film director, 1889-1968, edited by Søren Dyssegaard; English text by Reginald Spink. (Copenhagen: Ministry of Foreign Affairs, [1969]) Nash, Mark. Dreyer. (London : British Film Institute, 1977) International Dictionary of Films and Filmmakers, vol. 2: Directors, edited by Laurie Collier Hillstrom. 3rd edition. (Detroit: St. James Press, 1997)